How Cleopatra became a canvas for society's anxieties

All of our fears about women in power, female sexuality, and race have been projected onto this historical figure

The Colour of Anxiety: Race, Sexuality, and Disorder in Victorian Sculpture' at Henry Moore Institute, Leeds - Alain.R.Truong

Virtual Museum, Noli me Tangere (c.1620) Oil on canvas, 151.8 x 202.8 cm [Musée des beaux-arts de Dunkerque, France] -- Abraham Janssens (Flemish; 1567 - 1632) and

Auguste Rodin, a pioneering French sculptor of the late 19th and early

Neanderthals: What Our Depictions Of Them Reveal

Cleopatra: She Came, She Saw, She Conquered — The Exploress

Jacques-Louis David, a prominent French Neoclassical painter, was born

The Princes in the Tower was painted by John Everett Millais in 1878 a

Cleopatra's Impacts - Cleopatra: the unforgotten

Cleopatra: She Came, She Saw, She Conquered — The Exploress

From the Archives: Robert Motherwell on the Significance of Joan Miró, in 1959 –

Edvard Munch (1863–1944) was a Norwegian painter and printmaker. He is